​​​​​​​​​​​​​​​​​​​​​The Dunn Collection – finding the needles in the haystack | Holding The Vision​ | Collecting Dickens

James Dunn NDT Obit 1943.jpg

The donation of book collections to local museums and libraries is not new and certainly not the singular preserve of Blackburn. Many towns and cities gratefully receive these literary gifts, which usually originate from a prominent figure in the community; a captain of industry or a well-known philanthropist.

This is where the Dunn Collection “goes against the grain” which creates its own challenges when researching the people and events behind this donation.
James Dunn was a humble draper trading from premises on Montague Street; his shop and home sitting side by side in this strong working-class area of Blackburn. 

DSC00660 (002) Advert Montague Street.jpg
Blackburn Times, 1896

In the early 1940’s he contacted the Blackburn Museum and Library to set in motion the gift of his collection - over 300 books – nearly seventy of which date from before 1699 - two paintings and some pottery to the community. This work had been amassed by him on his travels in this country and the near continent, particularly France. The books cover a broad spectrum of subjects in a variety of languages but with no common theme. I think it is fair to say this was the first anyone knew of his passion outside his immediate family and friends.

He was now approaching his mid-seventies and by all accounts in good health. Though I would imagine he felt a little lonely with his wife pre-deceasing him in 1907; his son Ernest had emigrated to South Africa just after World War One had ended, and his daughter now lived in Wigan. He was the eldest of five brothers and two sisters and had managed to outlast them all save the youngest, Norman, who had emigrated to America many years ago. The Dunn clan was fading away.

This was his opportunity to share his collection with the town that he loved. He did this whole-heartedly.

It does however leave us with several unanswered questions which cannot be fully answered by genealogical research alone. 
What motivated him to collect this body of work? – we know that he taught himself French to enjoy books acquired in that language – so these are not trophies to display and impress others. How did he fund these purchases? And who ran his business when he was away on one of his buying excursions? And what of his possible relationship with Robert Edward Hart, a wealthy local businessman, who had a similar passion for books but no clear contact with Mr. Dunn, yet appeared on the list of mourners in Dunn’s obituary?

I feel sure there is a little more to come on this remarkable man.

 Philip Crompton, Community History Volunteer, May 2020
Clara and James Dunn Gravestone in Blackburn Cemetery
DSC09681 Dunn Grave Bburn Cem. PCrompton.jpg
 (c) Philip Crompton, April 2019


Holding The Vision​

Blackburn Museum hosted a wonderful exhibition in 2020 entitled Holding The Vision: Collectiong the Art of the Book in the Industrial North West.

​​20200520_082633.jpgA selection of titles from the Dunn Collection which is held in Blackburn Library is currently on display for the first time in many years.

The exhibition also features items from The Harris Private Press Collection along with The John Henry Spencer Collections and the Edwin James Hardcastle Collection of Original Art for Book Illustrations. Sadly, due to the current situation, Blackburn Museum is closed but the following Blog Posts provide more information about the Collectors and their Collections. 

Please click on the link below in order to learn more about this fascinating exhibition: 

Blackburn ​​Museum Blog

Holding the Vision Blog schedule 2020​
Tuesday 19th May: The Archer
Weds 20th May: The Thick of the Fight
Thurs. 21st May: They See an Oread

​​back to top​​

​​​​Collecting Dickens

This video of a PowerPoint Lecture appears on Cotton Town by kind permission of Dr Cynthia Johnston.

This production is protected by copyright, and may be used for private viewing only. It may neither be broadcast in any way, including the internet, nor be copied or reproduced either by film or electronic means, without permission from Dr Cynthia Johnston.​​

​​back to top​​